Triptych
|
| Medium: |
Brazilian Ebony lattice with exotic wood ingots of Bolivian
Rosewood and Padauk |
| Size:
|
1'H
x 2'W x 3"D (each) |
| Weight:
|
20
lbs. total |
| Completed: |
July
2006 |
| Edition: |
1 |
| In
Stock: |
SOLD.
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artist to commission a unique sculpture inspired by
this design |
| Price:
|
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artist |
| Notes:
|
This
sculpture can be hung in a great variety of ways to fit
any space. |
|
Artist’s
Statement
Triptych
is a design variation on my original theme for my 'Sanctify'
and 'Transformation' series sculptures. I wanted to break
the transformation of the exotic wood into three distinct
sculptures that, when mounted together on a wall, make one
unique piece. I wanted the sculpture to be warm, so I chose
Brazilian Ebony, Bolivian Rosewood, and Paduk as the woods.
All these woods appear in their natural state, with no stains
added for coloration. I also used a new slotting technique
for the wood ingots. The result is a very clean and tight
piece of sculpture. This is perhaps the most 'finished' looking
wood sculptures I've made to date.
Overall, the message of transformation comes across clearly
in this piece ' a message that I find applies to nearly anyone
in any stage of their life. We are all always in transition,
moving from one thing to the next, whether in the outer or
inner worlds of our lives. This piece fits nicely in any environment
for that reason, and is easily relatable.
What follows is the background of the whole 'Sanctification'
and 'Transformation' series of sculptures. Triptych is a variation
on this theme.
I had a general vision for a sculpture like this years before
I actually created what you see here. I was looking for a
way to visually depict the Christian sanctification process
as it is described in the Bible. The main ideas I sought to
depict were the progressive nature of our sanctification (growing
in the practice of holiness over time) which is accomplished
by Christ's ongoing initiating activity in the life of the
Christian believer. An excellent Biblical overview of the
thoughts I wanted to convey about sanctification can be found
in the Westminster Confession of Faith's Larger Catechism's
answer to the question, 'What is sanctification'' [Question
#75]
Sanctification is a work of God's grace, whereby they whom
God hath, before the foundation of the world, chosen to be
holy, are in time, through the powerful operation of His Spirit
applying the death and resurrection of Christ unto them, renewed
in their whole man after the image of God; having the seeds
of repentance unto life, and all other saving graces, put
into their hearts, and those graces so stirred up, increased,
and strengthened, as that they more and more die unto sin,
and rise unto newness of life.
The general thrust of the Confession's definition finds a
lodging place in the themes presented in 'Sanctify.' It's
a theme of Christ-initiated transformation in the life of
the believer.
The structure of the sculpture is a rather rigid, ordered
one, signifying the holiness and absolute purity of Christ.
In Him there is no moral defect whatsoever (John 1, 8:12)!
It is within this structure that we are sanctified or molded
' as it says in Romans 8:29a, 'He decided beforehand who were
the ones destined to be molded to the pattern of his Son.'
I chose Maple for the lattice framework also because it is
a whiter/lighter wood with a sparse grain, also signifying
the spotlessness and holiness of the Christ. Just as the wood
ingots are set 'in' the whitish Maple wood lattice, so too
are believers sanctified 'in' Jesus Christ (i.e. in relationship
with Christ).
The wood ingots of various colors and textures represent the
journey of sanctification for the Christian. As the viewer's
eye moves from the bottom left to the upper right of the sculpture,
a transition in the color, weight, and texture of these ingots
is quite clear. They move from darker and heavier-grained
woods to lighter and lighter-grained woods. This transition
signifies the progressive nature of sanctification whereby
a believer is, by the work of Christ's grace, made more holy
in experience. In the sculpture, dark and heavily grained
wood symbolizes a greater weight of sin, while the lighter
colors and textures symbolize increasing freedom from sin
and the magnification of righteousness. This is exactly what
happens in a Christian's life over time through the power
of Christ.
Notice that the ingots are not so orderly arranged, and that
they do not follow a predictable linear path. That's because
a believer's journey of sanctification is not a highly predictable
one. We often, because of the remnants of indwelling sin,
take 2 steps backward to every 1 step forward. But the promise
of Christ is firm, and in the end, believers will (albeit
through a convoluted journey) be conformed to His perfect
image, ultimately through their death and entrance into glory.
Cite as proof the related Scriptural promise in Ephesians
1:6, 'For I am confident of this very thing, that He who began
a good work in you will perfect it until the day of Christ
Jesus.
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