This
sculpture was custom designed for Christ in the City Lutheran
Church & Coffee House in St. Louis, MO as described
in the artist’s statement below. This project reflects
the process for commissioning a custom dwmerkey sculpture
as outlined in Commission a Piece.
Artist’s
Statement
In antiquity,
God Himself did it through a burning bush, in the midst of
lightning and thunder, in a gentle breeze, and through men
set apart as His mouthpieces. Christ did it enrobed in the
frailty of human flesh along the highways and byways, in small
and big towns, with individuals and crowds, and even as He
hung dying on a cross. God now commissions others to do it
in His name in the power of His Spirit so that all may hear.
Kerusso– to preach, proclaim, announce, or herald
the good news that because of the work of Jesus Christ on
the cross, God embraces sinners just as they are with a forgiving
and merciful love that’s divine and eternal.
The entire span of redemptive history is bound up in this
edict. But it takes clear, specific form in the New Testament
where the word kerusso appears at least 60 times. There is
practically no more urgent and pervasive command Jesus impressed
upon His people than to proclaim His work, and more specifically,
His crucifixion. The cross is central to the heralding activity
of the Christian.
It was the cross of Christ that was announced by Peter in
his great sermon in Acts 2:36 "Therefore let all the
house of Israel know for certain that God has made Him both
Lord and Christ-- this Jesus whom you crucified." It
was the Christ of the cross whom Paul heralded to the Corinthians
in 1 Cor. 1:23, “but we preach Christ crucified: a stumbling
block to Jews and foolishness to Gentiles.” In fact,
Paul proclaims that he knows nothing else more important than
the fact of Jesus cross-work, “For I determined to know
nothing among you except Jesus Christ, and Him crucified”
(1 Cor. 2:2).
Indeed, the cross is central to the heralding activity of
the Christian. In the vernacular, you could say that Christians
are to “pipe” this good news about the cross.
We are to pipe it loud and pipe it soft. We are to pipe it
deep and pipe it high. We are to pipe it at length and in
detail, and we are to pipe it briefly and with simplicity.
We are to pipe it all the time, in season and out. As the
redeemed of God, we are to pipe the good news of Christ crucified
as the basic soundtrack or melody of our lives.
What could be a more appropriate or important theme for a
sculpture than the heralding of the cross? And if we are to
“pipe” this good news at all times and in many
ways, how fitting is it to create this sculpture using the
pipes from a weathered, grand old pipe organ? It is fitting,
indeed! For as this organ once played cross-heralding music
with all the magnificent variety of its many pipes, we too
are to do the same. The organ’s purpose, being in a
church, was to lift the people within its sound to the cross
where they could fall down in worship. In the same way, whenever
we proclaim the cross, we and others are to fall down in worship.
I have created this sculpture using all manner of pipes from
this old organ and arranged them in the shape of a cross to
convey exactly this point. The subtlety of the shape and the
slight backlighting add a sublime mystery and softness to
the artwork. Yet the message is clear and easy to distinguish
- kerusso - we are proclaiming the cross of Christ.